I mentioned in my previous post how much I liked "American Bred" by Jorge Galvan. I liked it so much that I bought it. Galvan is an senior at U.H. He's thinking about MFA programs--which one would be right for him, what he can afford. He feels he still has a lot to learn. I think, however, he is astonishingly accomplished, and expect nothing but great stuff for the next 50 years from him. Here's another view of "American Bred."
And here it is open.
This is a very finely crafted Anglo-American version of the humble tortilla press, like this one:
According to Galvan, "American Bred" is fully functional.
I have been a fan of Stephanie Toppin's painting since I saw her work at Diverse Works last summer, and subsequently at Box 13. I bought a few of her drawings around that time and then took the plunge to buy a painting when she exhibited at Rudolph Projects.
Like Galvan, Toppin is a really young painter. I don't really know what her background is, but I like her colorful abstractions. The paint appears to be housepaint and she paints on large masonite boards. This photo makes the colors look brighter than they actually are (as if the paint has some flourescent pigment mixed in that was lightened by the flash).