Showing posts with label Stephanie Liner. Show all posts
Showing posts with label Stephanie Liner. Show all posts

Wednesday, May 23, 2012

Marry in May and You'll Rue the Links

by Robert Boyd



Bad artist statements, part 1329. I saw Stephanie Liner's work at Pulse, and I loved it. The piece I saw (which seems typical of a lot of her pieces) had a girl sitting inside an egg-shaped structure. The egg was an upholstered piece of furniture, basically, with a floral pattern inside and out. You could see into the egg through little porthole-like openings. And the girl inside was wearing a dress with the same floral pattern as the egg itself. So I was kind of thrilled when I saw that Liner was doing a Kickstarter campaign for her performance at the Smithsonian. Thrilled, that is, until I played the video (above). In it, Liner seems to be reading her artist's statement. Like so many artist statements, hers succeeds in removing the mystery and magic from her art. It closes off interpretation by the viewer by telling you what the art is all about.  And it's boring. Obviously it wasn't an impediment--her project is fully funded. (I kicked in $25 despite the video.) I chalk it up to being another horrible example of the world's worst literary genre. Love the artist, hate the artist's statement.

I Am the Walrus
Enrique Gomez de Molina, I Am the Walrus


Artists! Don't make your chimeras out of endangered species! That's what sculptor Enrique Gomez de Molina did, and now he's in jail. His problem was that he was making fanciful taxidermied sculptures by combining animal parts which he bought off of eBay. Little did he know that some eBay dealers were selling illegal animal parts from endangered species. This caught the attention of U.S. Fish and Wildlife Services, who apparently warned him multiple times that what he was doing (importing animal parts of endangered species) was, in fact, a crime. He was convicted and is now spending the next 20 months in jail. ["From toast of art world to guest of federal pen" by Lydia Martin, The Miami Herald, May 20, 2012, via Art Market Monitor.]



I don't have anything new to say about The Rose. But I wanted to share this video about Jay DeFeo's The Rose. This painting is the masterpiece of beatnik visual art. A ton (literally) of paint, obsessively worked on for years. Beautiful. [via wrapit-tapeit-walkit-placeit]

Enid
Daniel Clowes, Enid from Ghost World, 1996, gouache, 8.5" x 11"

If you missed my birthday... It's not too late to give me a present. This gouache by Daniel Clowes, being sold right now on eBay, would make an excellent birthday present, for example. [via danielclowes.com]
 
Droit de suite overturned in California. A federal court overturned a California law that requires resale royalties for works of art sold.
Under the California law, auction houses and dealers, wherever located throughout the country, were directed to "withhold 5 percent of the amount of the sale, locate the artist and pay the artist," whenever the sold work was created by a California-based artist or was sold by a California resident. ["Federal Court Finds California Resale Royalties Act Unconstitutional" by Lee Rosenbaum, Culturegrrl, May 20, 2012]
The court found that this violated the commerce clause because it interfered in interstate commerce. For instance, the seller might be in Iowa and the buyer in Georgia, but if the artist was in California, the law would apply. I have no legal knowledge, but I can see the court's point. What this says is that droit de suite needs to be a national law, not a state law. Speculators should not be the sole beneficiaries of selling art at a profit. Artists should benefit as well.


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Wednesday, May 16, 2012

Pulse New York part 2 -- Impulse

by Robert Boyd

(Continued from part 1.)

The upstairs part of Pulse was Impulse. On the Pulse website, Impulse is described as a group of "galleries invited by the Committee to present solo exhibitions of artist's work created in the past two years." In addition to the Impulse galleries, Pulse's "partners " (including Creative Capital and Honey Space) have their spaces upstairs. This was my favorite part of the show.

Honey Space brought in a two-woman performance group called Inner Course to do a interactive performance called Knowing Me Knowing You.

Inner Course

This guy manned the table outside the room to the left where they did their thing. He not really part of the performance per se, but he was hilarious. He basically had this Paul Lynde-like bitchy persona, smiling broadly while making cutting remarks and double entendres at passers by.

Inner Course

Once inside, you start undergoing "therapy" of a sort conducted by Inner Course, Rya Kleinpeter and Tora Lopez. They were wearing costumes that can only be described as a cross between a teddy and an artist's smock, along with identical blond wigs. They helped you pick out art materials (they had different kinds of paper, and a variety of drawing and painting materials). Then you all did a drawing together. I managed to get paint on my sports jacket, but that wasn't the most annoying thing about the experience. The worst was their weird condescending attitude, and their repeated attempts to get me to assign a monetary value to the art we had just produced and to then buy it. They kept asking me what I thought the drawing was worth. I said nothing (because it was terrible), which seemed to offend them. They said, don't you think our time is worth something? What could I say? Eventually, they hustled me out of there. I don't think they were expecting my non-response to their therapy.

Stephanie Liner
Stephanie Liner at Creative Capital

A much better experience (but just as mystifying, in a way) was had with Stephanie Liner at the Creative Capital booth.So I see this young woman sitting inside this egg-shaped object (which I think is beautiful) and I walk up. She looks really, really bored. It's slightly awkward to look into the egg, but I do and it looks as if her dress may be physically attached to the egg. I can't be sure though. So I asked her. No response. No acknowledgement in any way that I'm there. Curious!

Stephanie Liner
Stephanie Liner at Creative Capital

I don't even know if the woman in the egg was Stephanie Liner. But apparently part of the deal is to not respond to questions. Anyway, I liked it. I would love to have an egg like that. It would be a good meditation chamber.

Thruster Cluster
Heather McGill, Thruster Cluster, 2011, cut paper and pigment at Ellen Miller Gallery

I liked the eye-wrecking pattern of Heather McGill's Thruster Cluster, but the best part was the detail.

Thruster Cluster detail
Heather McGill, Thruster Cluster, 2011, cut paper and pigment at Ellen Miller Gallery

Scary clowns! (With Pettibon's and Sean Landers's clowns at Frieze, there was a micro-trend brewing here.)

Jason Bryant

Jason Bryant at Porter/Contemporary

I thought Jason Bryant's work was mostly pretty shallow, but the phrase "Rainbows don't mean shit" made me laugh out loud. (Sorry for the out of focus photo--there is a clean one on the Porter/Contemporary site.)

Sigrid Viir
Sigrid Viir at Temnikova & Kasela Gallery

I loved Sigrid Viir's photos. Apparently other people did as well--she won the 2012 Pulse Prize. The photos reminded me a bit of the installations of Jessica Stockholder--they made banal objects interesting (which is one of the major projects of modern art, I suppose).

Sigrid Viir
Sigrid Viir at Temnikova & Kasela Gallery

But in addition to the photographs themselves, the display easels were completely humorous. Some were at floor level, one had toilet plungers as feet--they were works of art all on their own. (SigridViir and Temnikova & Kasela Gallery are from Estonia, which is interesting if only because I know absolutely zero about Estonia's artistic or cultural history except for the composer Arvo Pärt. Wikipedia tells me that Estonia won the Eurovision song contest in 2002.)

Sigrid Viir
Sigrid Viir at Temnikova & Kasela Gallery

The last Impulse artist I want to mention is Rocio Infestas, a Chilean artist living in Mexico. His works at Antena Estudio were all made of resin.

Rocio Infestas
Rocio Infestas at Antena Estudios

Rocio Infestas
Rocio Infestas at Antena Estudios

Rocio Infestas
 Rocio Infestas at Antena Estudios

I believe these are all meant to be baby gods. They have a mythic feel (the plants in the body of the first and fire in the body of the second). they are simultaneously cute and slightly disturbing.

One last Pulse photo:

dancer at Pulse

On to NADA!


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