Friday, February 26, 2010
New Acqusition--Gilbert Hernandez
Gilbert Hernandez, "The Laughing Sun" part 2, page 3, ink on paper, 1984
I started reading Love & Rockets with issue two. I had missed issue 1 somehow. I was blown away and an instant fan of Jaime Hernandez. Gilbert Hernandez seemed like the less interesting of the two brothers initially. But then in issue 3 (I think!) he started telling a story about Palomar, a small town in rural Mexico or Central America. (Later you learn that it is in a fictional Central American country, but that wasn't spelled out at first.)
The first few stories featured five teenage boys--Heraclio, Israel, Satch, Vicente and Jesus. As readers of Love & Rockets devoured each new issue, the story skipped ahead and we saw Heraclio suddenly as a young adult. And in "The Laughing Sun," all of the boys we had come to know were now men. Jesus is married and has a baby. On an especially hot day, he snaps, wrecks his house, and hurts his wide and baby (neither seriously, though). He then steals a car and heads up into the mountains. Heraclio convinces the sheriff that he can retrieve Jesus--he's afraid that there may be violence but he believes that if he can talk to Jesus, he can avoid it.
Heraclio calls up Vicente, Satch and Israel, all living in other towns now, and they set off on a tense journey filled with flashbacks. It's a great story, one of Gilbert's best. With the Palomar stories, Gilbert proved himself to be a great comics artist--one of the all time greats as far as I am concerned. I was thrilled to be able to buy this page.
Gilbert Hernandez, "The Laughing Sun" part 2, page 3, ink on paper, 1984
Here is the pages scanned as a color image. You can see Gilbert's paint-strokes in the solid black areas--he knew they would not be visible when the piece was reproduced. Otherwise the art is extremely clean (in the sense that it looks extremely close to the final printed page).
Labels:
art acquired,
Gilbert Hernandez
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That a beautiful page. I am officially jealous!
ReplyDeleteC.K. Chesterton wrote in a story once that there is not much that separates a collector from a miser. It's hard to deny. But at the same time, I try to remind myself that I am just holding a piece like this for posterity--and that it is my responsibility to keep it well and in good condition.
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