Showing posts with label Kenn Coplan. Show all posts
Showing posts with label Kenn Coplan. Show all posts

Sunday, January 1, 2012

The People's Choices

by Robert Boyd

Before we dive into the results of my public survey of the best of Houston's art scene in 2011, let me talk a bit about the poll. First of all, there were a total of 65 respondents--thank you all. On one hand, 65 is great. On the other hand, I think it represents just a fraction of the total number of people in Houston who have an opinion on what their favorite art exhibits were. I wish I had further reach.

Additionally, with 65 respondents, it is fairly easy to game the results. I believe this has happened--not maliciously, but by virtue of friends of certain artists and galleries voting for those artists and galleries. Let me reiterate--there is nothing wrong with this. If my friend had a great show and I loved it, voting for it is perfectly legitimate. And if I were an artist who had a show in 2011, I would have linked to the poll on my Facebook page and let my friends know.

And even if there wasn't that level of deliberate action, the fact is that The Great God Pan is Dead is read by a certain constituency. I'd call it the Joanna/Art Palace/Box 13 constituency (and perhaps add to it the Nau-Haus/PG Contemporary constituency), and artists valued by these constituencies did very well. And deservedly so! But I mention this because I believe that if I had gotten 200 respondents or 500 respondents, the results would have been substantially different. In a way, this poll reveals more about The Great God Pan Is Dead and its readership than it does about Houston's art as a whole. So be it. It's my first try at this and while I'm sure I'll get better at it as the years go on, I'm quite pleased with the results.

Best Art Exhibits in 2011

What was interesting here was the voting was highly spread out. There was in no way a consensus. With so many good choices, respondents voted across the map. Still, there was a victor:
Seth Alverson at Art Palace with nine votes. (Big applause!)
Photobucket
Seth Alverson, Chair, Chair II, oil on canvas, 2009-2011

Just to demonstrate how broad the votes were scattered, there was a three-way tie for 2nd place (with seven votes each):
Lane Hagood, The Museum of Eterna at the Joanna
Kenn Coplan, Ultimate Kenn at Nau-haus Art Space
group exhibit, Pan y Circos at PG Contemporary (the "friends of Robert Boyd faction" really came through!)

And in third place, there was a six-way tie with  six votes each:
Charles LeDray, workworkworkworkworkwork at the MFAH
Francis Giampietro & Jeremy DePrez, The Power of Negative Feedback at Lawndale
Mark Flood at Cardoza Gallery
Marvin Zindler, Bayou City Noir at the Museum of Printing History
Upside Down: Arctic Realities at the Menil
Vija Celmins: Television + Disaster, 1964-9166 at the Menil

Of this entire list, the biggest surprises were what didn't make it to six or more votes, but among the winners, the most pleasant surprise for me was the quirky Marvin Zindler photo show at the Museum of Printing History.


Best Performance Art in 2011

This category was a little trickier, I thought, because of the transitory nature of performance. You had to be there to even really identify the piece, much less form some kind of personal judgment. The big winner, however, was:
Cody Ledvina, Gawd parents: I am real at BOX 13 (with 15 votes!)

Cody Ledvina's performance Gawd parents: I am real

There was a tie for second place with six votes each:
Dennis Harper and Friends, iPageant at the Joanna
Jim Woodring, Demonstration of Nibbus Maximus at Walpurgis Afternoon at Lawndale

And third place with four votes goes to:
The Bridge Club, Natural Resources at Lawndale

Most Significant Local Art-Related Events of 2011

This was my catch-all category where the events that shaped the ecology of the local art scene could be ranked. And the number one event with 16 votes was:
The Texas Contemporary Art Fair
Out of Site - Out of Sight by Jason Willaford
Jason Willaford, Out of Site - Out of Sight, chrome plated oil barrels, 2010 at the Texas Contemporary Art Fair


Number two with 12 votes was:
The Houston Fine Art Fair

The fact that these two art fairs were ranked one and two shows how important respondents felt about art fairs coming to Houston. And it was important. Arturo Palacio told me that more people stopped by his booth at the Texas Contemporary Art Fair that went into his gallery all year. With attendance numbers of 10,000 batted around--most of whom were from Houston and vicinity--this was a big deal for all the local galleries that attended, as well as for the out-of-town galleries.

Coming in at third with 11 votes was:
Devon Britt-Darby vs The Art Guys

This category was my way of encapsulating a variety of events--the Menil acquiring the tree that the Art Guys married, Britt's coverage of that in the Chronicle, his counterperformance in marrying gallerina Reese Darby (and changing his name to Devon Britt-Darby), his confession of his former life as a meth-addicted male prostitute, his annotated road-trip (financed by being a male escort), and his firing from the Houston Chronicle. Certainly it got a lot of people talking.


Thanks everyone who voted, and happy new year!


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Tuesday, December 20, 2011

The Part 4: Best (and Worst) of 2011 -- The Houston Art Community Selects their Faves

(Continued from part 3)

Temple Hive
Temple Hive by Monica Vidal wowed 'em at Box 13

Monica Vidal, Temple Hive at BOX 13. "I can't wrap my head around all the planning and measuring that goes into Monica's work. The scale of her work is really impressive, and I loved being able to walk into this one (a similar hive at Lawndale was sealed off). Her drawings are also quite nice." That's what an anonymous respondent thought. Maybe Vidal should make a super-giant hive for the West Oaks Mall art space. That would be worth the 20 mile drive to see!

Moving into his new studio. Sometimes the most important art event is purely personal. Earl Staley wrote that his most "memorable event was moving into a studio at 2711 Main St. The rest is noise." That's a great location if you find that you've run out of pthalo green--Art Supply on Main is just downstairs.

Nathan Green
Nathan Green's show at Art Palace

Nathan Green, Fill the Sky at Art Palace. An anonymous respondent gave a thumbs up to this show.

Kenn Coplan, Ultimate Kenn at Nau-haus Art Space. One of our anonymous respondents wrote, "Kenn Coplan's solo show was incredibly entertaining. His pieces are crazy. They're so fun to look at and play with. His photography is also outstanding, but I get really excited by his wacky toys and rusty sculptures."

Curt Gambetta
Duck! Curt Gambetta's Office Light at Lawndale


Curt Gambetta, Office Light at Lawndale. Emily Sloan gave the nod to this perversely claustrophobic outdoor installation by Curt Gambetta.


First Take: Okay Mountain Collective at Blaffer Gallery. This got a vote from Brett Hollis, with no word on whether he joined their cult.

Security Camera
Camp Bosworth keeps an eye on everything with Security Camera 1 at Southern/Pacific

Southern/Pacific curated by Paul Middendorf at Lawndale. "The most successful group show I've seen at Lawndale in a long time. I'm excited to see the next installment of this traveling project." That's what an anonymous respondent wrote about this Portland/Marfa/Houston show.


Susan Plum, Nuevo Fuego at PG Contemporary. An anonymous respondent wrote, "Susan Plum's show is just plain beautiful. All of that sparkling woven glass is mesmerizing. Her work feels both earthy and clean at the same time."

Kenn Coplan, Wayne Gilbert & Charles Krafft, Momento Mori at PG Contemporary. "I love Charles Krafft. Enough said. The three artists complimented each other nicely. Wayne's human ash paintings were perfect with Charles' human bone china pieces. Kenn's rust angels and dusty curio cabinet were haunting," was what an anonymous respondent wrote.

Jillian Conrad, Claire Falkenberg, Ian Pedigo, and Brion Nuda Rosch, Related Clues at Inman. An anonymous respondent wrote, "Well to be honest what i really like at Inman is Claire Falkenberg and Ian Pedigo. [M]ust have been 5 or 6 years ago when I [first] saw [Pedigo's] work. He does some pretty cool stuff, but I'm still not quite sure where he is coming from. First time to see Claire's work--like it so far." I thought Conrad and Rosch's work in this show was also excellent.

To be concluded in part 5!


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Sunday, January 30, 2011

Charles Krafft Is Coming to Houston

As I have mentioned a few times before on this blog, I lived in Seattle in the early 90s for about four years, followed by a year in Portland, Oregon. (Portlandia is a treat for me.) I got tangentially involved in the Seattle art scene then, and one of the people I met was Charles Krafft. When I first met him, he was primarily a painter, highly influenced by local Seattle art god Morris Graves. (A town has to count itself as lucky if it has Morris Graves and Mark Tobey as founding fathers of its art scene.) But in the early 90s, Krafft had become interested in employing what seemed like a kitsch craft--delftware--ironically. It may have seemed like just a one-off chuckle at first, but it has turned into his primary means of expression. And in using delft ceramics as a starting point, Krafft has turned himself into a serious craftsman (with a name like Krafft, it seems inevitable).

His work will be part of the exhibit Momento Mori at PG Contemporary (opening on February 5), along with work by Kenn Coplan and Wayne Gilbert. Gilbert and Krafft have one macabre similarity--they both use human remains in their work. This is going to be a very interesting exhibit. I encourage folks to come check it out. Meanwhile, here's a great video portrait of Krafft.





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